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"It evidences how comfortable Moffat is with embracing the whole history of Who – back to, in this case, 1963 – and with redeploying features from his immediate predecessor’s era. Few Who stories eat up ideas at the rate this one does. Conceits that would have formed the crux of previous single-parters are here gutted for a visual, a gag or an homage before making way for other set pieces equally as ambitious."
Cultbox
"This is an incredibly ambitious opener with a lot going on and a sense of scale that is far removed from Deep Breath last year, which seems positively sedate in comparison. It feels like a follow-up to a RTD finale, crossed with The Pandorica Opens."
DoctorWhoTV
"While die-hard fans will absolutely love the nods to the series’ past and backstory-redefining plot points, it could prove alienating to someone who just tuned in for a bit of fun. Even with its flaws it's Doctor Who at its most ambitious, epic and imaginative, and it’s worth scratching your head a bit for."
Radio Times
"It really comes alive in its final third, when the necessary gears have turned to get the main players into position. Before that is a certain amount of rounding up the old gang, and a pre-credits sequence designed to prick up the ears of long-term Who fans. If you’ve managed to stay away from the spoilers for this one, then you’re in for a treat."
Den of Geek
Estoy salivando![]()
Dicen que en cuanto a producción parece el 50 aniversario.
Dicen que en cuanto a producción parece el 50 aniversario.
Pues como se refieran a puesta en escena, montaje y montaje musical, no es una buena noticia...![]()
Estoy salivando![]()
Yo no digo nada...y grande la novia desvelando las miserias del Doctor al final (eso sí, suerte que no se a quedado como sidekick).
Oi... BANEADOS TODOS