Community: Age of Yahoo

Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Pues que la premien, ya que es el último año que tendrán la oportunidad de hacerlo :cortina
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

You are mean.

Nah, al final ganará Parks&Recre que suena en todas las quinielas.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

¿Por qué American horror story está nominada en telefilm/miniserie? :roto2
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Al tener una temporada cerrada las reglas lo permiten, al menos en los Emmy y supongo que esta gente se guiará por ello.

Sherlock y Luther si quisieran podrían competir en drama, como lo hace Downton Abbey, pero siempre es más fácil competir como miniserie.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Lo de miniserie/telefilm (cuando son dos cosas distintas) en los Globos de Oro o en los Emmy es un cachondeo.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

En los Emmy lo separaban hasta hace dos años, decidieron unir la categoria porque no siempre se llegaba al cupo.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Heat Vision and Jack (1999)

Episodio piloto descartado escrito por Dan Harmon y Rob Schrab, dirigido por Ben Stiller y protagonizado por Jack Black como "Jack", Owen Wilson como la voz de "Heat Vision", Ron Silver como el villano "Ron Silver", la futura mujer de Stiller, Christine Taylor, como la sheriff, y Vincent Schiavelli como el alien "Paragon".

El título del piloto: Episode 14: The Eyes of Paragon :lol

Ojo al guiño a Doctor Who.

http://www.youtube.com/watch?v=WHvjcsELcjA
http://www.youtube.com/watch?v=YE0PtCh2AyM
http://www.youtube.com/watch?v=dDGA8PgivNI
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Los nuevos showrunners han dicho que son fans del estilo Harmon y que quieren seguir su senda. Al menos es un alivio, la cuestión es si serán capaces de estar a la altura del reto o la imitación les quedará demasiado forzada.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Aunque sigan el estilo yo creo que el primer bajonazo se notará, mira The West Wing, y después remontó otra vez las dos últimas pero se notó el cambio.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Por eso lo digo, no es lo mismo que algo te salga de dentro que intentar imitar el estilo de otro. Basta con echar un vistazo a los miles de cortometrajistas que juegan a ser Tarantino y lo único que logran es dejar claro que Tarantino solo hay uno y es inimitable.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Hace ya unas cuantas tomas falsas que Annie demuestra una gran desenvoltura en el manejo de las pollas, pero esto es apoteósico. :babas
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

¿Tan buena es esta serie? :fiu
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Y más aún.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

No sé yo... Tendré que bajarme algun episodio.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Menudo culoduro!
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Harmon hizo el otro día un Ask Me Anything en Reddit (básicamente los fans pregutándole cualquier cosa y él respondiendo) y acabó sincerándose con detalle durante varias horas.

Sobre sus planes abortados para la cuarta temporada:

“You can actually see one [of] my ‘fourth season’ ideas getting bumped up into the end of season three, because Jeff Winger has to decide, at the end of season three, that even though he’s endured Greendale for the express purpose of getting his old life back, in the end, he has to choose Greendale over his old life, because Greendale has made him a better person. The fact that it happened at the end of season three is because at the time of writing the script, I had a sneaking suspicion that either the show or its creator would not be back for season four.”

“I’m sure there’s lots of things we talked about over three years that will be useable by the new guys. And yes, it’s their property to use if that’s the case. One thing I’m sure will happen in season 4 is Jeff will meet his Dad, because we were going to do it in season 3 but then one of the NBC execs started saying ‘just make sure Jeff meeting his Dad isn’t a dark story,’ and I didn’t want to write one of the series’ most important stories under that hex, so I said, ‘let’s just punt that story to season 4.’ And we ended season 3 with Jeff googling his Dad, so…!”

Sobre la causa de la pelea con Chevy Chase:

He refused to do the “tag” for the Digital Estate Planning episode (the 8 bit video game episode). In the scripted tag, Abed comes to Pierce with the thumb drive he took, and says “Pierce, I’ve been able to adjust some of the code for your Dad’s video game and I’ve made a version I think you might like better.” He puts the thumb drive into a laptop in front of Pierce. We cut to the laptop screen, where we see Pierce’s avatar on a front lawn with the giant floating head of Cornelius. Every time Pierce presses the space bar, his avatar throws a baseball to his father’s head, which gives him a thousand points and a “great job, son!” Pierce presses the space bar a few times, pauses, then leans over and embraces Abed and we fade to black. When Adam Countee pitched that tag, tears instantly rolled down my cheeks, and in point of fact, my eyes are getting watery describing it to you. It was the most important part of the episode and possibly one of the most important moments of the season. I was very upset to hear that it wasn’t shot because someone didn’t feel like shooting it, especially since it was literally the last day of shooting, which meant we’d never be able to pick it up. I regret nothing about how upset I got. My job was to care about my show.

The answer I heard from the people on set was that he didn’t think it was funny. After he realized how upset I was about it, he said things in voicemails like “there was no script” (untrue) and “I have a weird relationship with the name Cornelius” (dumb, he had no dialogue in the tag). The real answer, I believe, is that he wanted to go home because he was tired. He probably didn’t realize he was permanently damaging the episode by doing so because he often walked off set and then we would just pick up his shots later in the week. But this was the final shot of the season. The sets came down after he walked away. So this was the one time in three years that his personality caused unfixable damage to something I really held valuable.

Sobre si verá los nuevos episodios:

“I’m going to wait a few episodes, maybe the whole season, and see how other people react. If people love it, then I’ll be able to safely watch it with an open, friendly heart, because the whole point is whatever makes the audience happy. If they say it’s good, it’s good, and I can watch it and even say it’s good. But I’m not going to be part of any campaign to convince anyone – me or others – of anything, good or bad. I’ve received a lot of advice from a lot of creatives that in a situation like this, it’s best for everyone on all sides that I make a clean break and not look back. I’ll be one of the very last people you hear weighing in on New Community. It’s the most practical, healthy decision I can make for its audience. Here’s an important related question: DO I HOPE IT’S GOOD? The honest answer is yes.”

Sobre la tensión con la NBC y la deuda con los fans:

“I feel like NBC is in a state of chaos that may or may not be ended by this latest regime, but in any case, at the moment of my firing, lacked the concern, coordination, foresight and muscle to make Sony understand what a needlessly risky move they were making.

I think Sony took the risk because they didn’t see it as a risk. What’s at risk when your show’s been moved to purgatory, etc. I feel like taking me off Community was as obviously foolish as you see most people saying.

I think the rumors you hear about me being bad at my job, especially the empty, overblown stuff about Chevy, are the best possible attempt anyone can make at making a very confusing, very dumb thing seem less confusing and less dumb.

I also feel relieved and excited and proud and smug. I feel like I win and they lose. My writers and I bled for that show and we would have kept doing it, in spite of Sony’s attitude, for one reason: the fans. If it weren’t for the fans, we all would have quit after season two. That show stopped being about our fulfillment the day Sony told us the Dungeons and Dragons episode was their least favorite. It stopped being about the writers’ fulfillment the day Greenblatt told me he had seen “about half” the episodes but wanted to know how we could stop making it “too weird to follow The Office.” There was a point where the only thing getting the writers out of bed was the joy of the viewer, which was plenty, even though Sony was doing everything in their power to make us miserable. So you can see how a company taking it upon themselves to martyr me the way they did was a pretty clean way out of a pretty tough spot for me. At the end of this thing, I’m rich, people want to work with me, audiences respect me, I don’t have to work for Sony anymore and I can even feel sorry for myself if I feel like it. It’s a pretty sweet ending to a crazy story.

That’s how I honestly feel. Answering honestly does me no favors, but I want to take the “anything” part of “ask me anything” seriously, because Reddit made Community. And that’s the part of this whole thing that bums me out, is that the only people that stand to suffer are the only people that never made a dime. The people that put free labor into Community. The people that got tattoos of it, the people that made halloween costumes and birthday cakes and tee shirts and music videos about it. They’re the only people not walking away with millions of dollars and they’re the only people that EVER MATTERED and ever understood the show.

So I feel good bad. I feel terrible awesome. I feel proud ashamed. I feel engorged on my own starvation, I feel like the biggest con artist and sucker in the history of monsters and heroes.”

Sobre la evolución de Britta:

I don’t perceive the character as being dumbed down, I think we evolved her into one of the most sophisticated characters in TV comedy. Britta’s pop cultural ignorance (“rowboat cop”) and the fact that she dropped out of high school and ain’t so well-read are human qualities to which I found a lot of women relating and/or joyfully not relating, but in any case BELIEVING. I always felt that the triumph of Britta as a character was that she was the only “real” person, stuck on Gilligan’s island, and ironically being punished for it. Sometimes we would cross the line. I did find myself telling the writer’s room here and there, “let’s not make her a dumb blonde, she’s a high school dropout and she’s computer illiterate and she’s a late bloomer because she’s lived a fuller life, but there’s a difference between that and an airhead.” If we made her an airhead, it was an accident, or an isolated instance of us being too tempted by a funny joke. Troy was an airhead. Britta was a work of art. She was a post post feminist masterpiece and a televised work of art. If I do say so myself.

En respuesta a una fan que básicamente le da las gracias por la identificación vital que ha experimentado con Abed y por la serie:

Thank you. Second time I've cried in one AMA. I hope you understand that this is the reason I do what I do - I am, to quote Yvette Nicole Brown, a "broken" person, and to quote Hilary Winston in her first interview to work on season 1, this is a show about broken people. All of them are quite alone, some involuntarily, some by their own hand, some without realizing it, but none of them come to the study room table with the emotional advantages held by that mythical creature known as "a normal person." There are no normal people, there are just different kinds of weird, all of it is human and all humanity is better than everything inhuman. So I urge you to keep expressing yourself as honestly as you can, and know that the backpedals and second-guesses really aren't necessary - they don't hurt but they're wasting your time - because when you are truly human, as we all are, and when that is your honest message to anyone, you are beyond reproach, there is no way to screw it up. I love Abed very much, too, for the obvious reason that he's a character able to connect with others through comparatively limited channels. I had a TV show, he has ...other people's TV shows. You have a reddit account. And maybe a bunch of other ways. And when you tell me that our show was somehow helpful to you, that it somehow inspired you to use whatever channels you have to connect yourself to others, well, water squirts out of my eyes, because there's no higher goal a writer (or carpenter or zookeeper or bank robber) can have. So thank you. As for the idea of me never seeing what you have to say: it may often be true, but I think what the internet, which is increasingly becoming the real world, needs most, is a big fat dose of everybody assuming that EVERYBODY CAN SEE THEM. I think we have to stop using this place as a toilet or an Eyes-Wide-Shut orgy and start using it to be who we really are because I don't see a lot of roller rinks being built and we're running out of mountains to climb, so, better or worse, this is it, we are all entering Abed's box now. God speed to you and follow your bliss!

Sobre el casting de la serie:

Danny Pudi for certain [absolutely nailed it on the audition]. He was so different from the Abed in my head when he walked in the door, but he just leveled the room with his presence. He walked in dressed the way we ended up dressing Abed. He pulled out a tube of chapstick and applied it before every "take" of his auditions. And in the "chemistry read" with Joel McHale, when Abed introduces himself to Jeff, Danny held out his hand for shaking, but held it about six inches higher than you're "supposed to" when you offer your hand for shaking. It was so subtle and so brilliant. We all knew it was Danny's part. He walked in having decided it was his part. And there were a LOT OF GENIUSES up for that role.

Sony made us [cast Chevy]. I'm not saying it was the wrong decision ultimately, but the honest answer to the question is that Pierce was literally the only role for which nobody else was considered after the actor we cast put his hat in the ring. Even McHale had to "test" against two other great guys. The short list of people I wanted to see about playing Pierce: Fred Willard, John Cleese, Patrick Stewart. That's a juicy role, man, there's a LOT of brilliant old dudes out there, but in the end, Sony felt (accurately) that Chase was a household name. And I remember Krasnoff saying to me, "listen, you make the decision on your pilot that gets you a series order. You take these things one step at a time." And there was wisdom there. Vile wisdom, but it's a vile industry. And I think the writers and Chevy ended up creating an unforgettable character.

Sobre su escena favorita de la serie:

My mind goes to the moment Jeff drags Pierce out of the study room in the Dungeons and Dragons episode. And Abed is standing there watching. And Jeff is absolutely livid because Fat Neil’s actual LIFE is at stake, and he shouts at a man twice his age as if he’s the father and Pierce is the child, which is true in that moment. “What is your PROBLEM?!” “I don’t like being excluded, Jeff, do you?!” Chevy’s best performance in all three seasons. And the coup de grace, Jeff’s incredibly simple response: “YES!” If someone had showed me that moment three years earlier and said, “you’re going to make this show, you’re going to write this scene,” I would have been very excited and proud of myself. It felt like we had achieved something worthy of the NBC that had raised me.

Sobre los episodios que no le gustaría haber hecho:

That's an oddly tough question because the reason I'd wish we hadn't done it would be because it was forgettable. So I probably forgot it. I wish we had been able to do the "Shirley gives birth" episode BETTER. I think it could have been better. The director was working with half a script, we were way behind schedule, etc. I wish Pierce's pill addiction could have paid off better. I wish we could have used John Goodman to better effect. I wish Jon Oliver was in season 3. I don't know if there's an episode that I'd consider an all-out tragedy that I'd go back in time and stop from existing. You have episodes like the Mock U.N. episode, where the U.N. episode itself is kind of underwhelming and culminates in a literal fart, but it STILL has its charms because of the actors...and in that same episode, you have one of the coolest things we've ever done, which is Britta and Chang in an inside-out execution of a romantic comedy template without the romance. I don't know, man. I love my babies, I love them all, I love the chubby ones, the skinny ones, the ones that are great at math but mean to women and the ones that write beautiful sonnets but have drinking problems. I love them all.

Sobre si volvería a la serie:

It wouldn't do the show or me any good to be invited back to the show in "any capacity." If they thought I was bad at being in charge, they'd be even more disappointed in my ability to be not-in-charge. I'm a zero-sum personality with very little staff writing experience. I like to create stuff and if people don't like it I like to try to figure out how to make it better but I'm not great at helping other people make their stuff. Nobody wants Dan Harmon prowling the hallways while they're trying to make Community. It would slow everything down and frustrate everyone because people would feel obligated to mince words and be political in their handling of my opinions and blah blah blah. So no.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Aún voy por la segunda, pero Dios mío. Qué serie :hail
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Gente poniendo tochacos inglés sin hacer una leve traducción aunque sea. Opiniones.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Respuestas con un mes de atraso. Opiniones.
 
Respuesta: Community (NBC). LA FAVORITA DE LA CRÍTICA. #sixseasonsandamovie

Y yo que se! el hilo se ha subido y me doy cuenta ahora.

Nunca crezcas.
 
Arriba Pie